2025-26 SEASON
On the Stage
42nd Street
Show Dates: August 8-24, 2025
Directed by Rebekah Howard
Audition Dates: May 18 & 19, 2025
42nd street is a Broadway classic that tells the story of Peggy Sawyer, a hopeful young performer who come to New York City with dreams of stardom.
The Rocky Horror Show
October 24- November 9, 2025
Directed by Ashley Campbell
Audition Dates: August 10 & 11, 2025
In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” This year, 2025, will be the 50th anniversary of the movie release.
*This show will be strongly advised for 18+ due to strong language and profanity, sexual themes and innuendo, violence and gore. Anyone under the age of 18 is advised not to come to the show.
*Each show will have the opportunity for call backs to be used.
Shakespeare in Love
January 16- February 1, 2026
Directed by Camden Jewell
Audition Dates: October 27 & 28, 2025
In this theatre classic the world’s greatest-ever playwright, William Shakespeare, is young, out of ideas, and short of cash, but meets his ideal woman and is inspired to write one of his most famous plays.
Guys and Dolls
April 3-19, 2026
Directed by Michael Seward
Audition Dates: January 19 & 20, 2026
Guys and Dolls is a musical about gamblers and the women they love, set in Depression-era Times Square, featuring the overlapping stories of Sky Masterson, a high-roller who falls for Sarah Brown, a mission worker, and Nathan Detroit, a gambler who is engaged to Miss Adelaide, a nightclub singer.
The Drowsy Chaperone
June 12-28, 2026
Directed by Dr. Patrick Jacobs
Audition Dates: April 6 & 7, 2026
The Drowsy Chaperone is a meta-musical where a lonely man, “Man in Chair,” plays a fictional 1920s musical recording, “The Drowsy Chaperone,” and the characters and story come to life in his apartment, serving as a commentary on the Golden Age of musical theater.
